For example, Em to Em7, the difference being the D string. This gives us a range of just over two octaves to use in the first position.īefore we move into the next lesson, practice alternating between the triad and its 7th. Starting from the low E we have E, F, G, A, B, C, D, E, F, G, A, B, C, D, E, F, G ascending. The bottom of this diagram represents the low notes of the guitar up to the top which represents the high notes.Īny dots that are off the diagram to the left represent the open string to be played, you’ll notice that all the open strings are part of the C major scale. The red notes mark ‘C,’ this is where the step/half step pattern is referenced from. The C (start of the scale) is on the third fret of the A string (in Red), but we are going to start down as low as possible for the sake of covering all the notes in C major in the first position. We are going to play the C major scale entirely in first position starting on the open E string. Notice there is a half step between E and F and a half step between B and C, this is what gives us the melodic characteristics of a scale. We are doing C major, so we will start on C which will look like this: For example, if I start on G, and ascend in the pattern of whole steps and half steps, then I will get the G major scale and all the notes in the key of G major. Whatever note I start the pattern on will give me a key. Step - Step - Half Step - Step - Step - Step - Half Step For a C major scale, we would play all the natural notes: C D E F G A B C. To make a major scale, we don’t ascend with just half steps, but with a pattern of whole steps and half steps. A whole step is made up of two half steps. Notice how there is no sharp in between E - F and B -C, The ascending series of these notes is a chromatic scale. Thus, when ascending from C in half steps, we get C, C#, D, D#, E, F, F#, G, G#, A, A#, B, and back to C. If we are to play each note available to us on any Western instrument in an ascending or descending order, then each note will be one half step away from the next. Everything will also be played in open position which refers to the first 3 frets, so it is vital that we have an understanding of our chords and scale in this position.Ī major scale is made up of a pattern of intervals, steps and half steps (also called tones and semitones outside the U.S.). In this course, we are only going to be playing diatonic arrangements, this means that all the notes we will use will be either C, D, E, F, G, A, or B. Some of you may be reading this article as part of our Guitar Solo Style Course. If I were to play a note outside the key, say a G#, it would be called non-diatonic-meaning that the note is not diatonic, or does not belong, to the key of C major. The intervals between these notes work together to create a key. If all of the your favorite pop songs were played in the key of C major, chances are they only use these 7 notes, whether it is in the melody, the chords, or the bassline. The key of C contains 7 notes: C, D, E, F, G, A, B we can mix up these notes to play melodies. In addition to having no sharps or flats to think about, it also contains all the open notes of a guitar, so we can use this to our advantage. But if we are to approach the guitar in a theoretical way, it really is best to start with C major. In relation to the piano, this scale is played on white keys only, which makes the scale visually more approachable.Ĭ major on the guitar is not always the first scale we learn, some often learn G or D. Each piece of Western music can be transposed into 12 different keys, so it makes sense to learn each key centre thoroughly.Ĭ major is the simplest as it contains no sharps or flats.
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